That's right! 90! You can check out the whole collection on my website, Dawn Blair Jewelry, or on my Flickr photostream.
Welcome to Cello Carrots! All about jewelry and the creative habit. Thanks for stopping by!
That's right! 90! You can check out the whole collection on my website, Dawn Blair Jewelry, or on my Flickr photostream.
                               End of a Long Road 2, forged pendant by Vagabond Jewelry
 Egyptian Cuff  copper chainmaille with hand made glass cartouche beads by Redcrow at Corvus Chainmaille
 Pretty Pearl Pod Necklace, electroformed seed pod with set pearl, by Tigerlilly Shop
* Are you challenged to constantly redefine your work with color?
Once in a while I'll revisit an old project and go, dear god, what was I thinking? ...OR, I'll pat myself on the back and admit that I was a lot more sophisticated back then than I gave myself credit for.  So ... sometimes yes, sometimes no. The enclosed piece (email me to view this image) is an example of an older project revisited and major coloristic changes made. The original was fine, but it was time to move into a new area. I can't wait to see what I do with it four or five years from now.
* Are the colors you choose to work with influenced by the type of media you work in?
Oh, definitely, definitely. If I'm working in colored pencil I tend to use subtler colors and gradations; but switch to paint and I become the Iron Chef. And having millions of colors of digital paint at my disposal gives me the whole symphony orchestra to play with, and the amphitheatre, and the recording studio. In fact sometimes I have to force myself to limit my palette, there's just too many choices.
Greg Volpert does freelance work from his home in Lawrence, Kansas.
--You may visit him at either website below.
PORTFOLIOS:
http://www.myspace.com/
The above photo is entitled Assume Nothing. This and many more spectacular photos on notsogoodphotography-'s Flickr photostream.
The economy is bad and people are losing jobs and.....
Yes, it is real. And now it is the holidays. What do we do? Here are some of my thoughts on the topic. And in case anyone is thinking, "I can't afford to do that." Think again. My own income is very, very limited. Yet, I feel I am able to make a difference in peoples lives in my own unique way.
That is the thing. It is all about placing value on our own personal expression, and using that as a gateway for creating and giving. Give yourself permission to make things without judging yourself. Realize that just making a gesture of kindness, or encouraging words to others, whether we see a need or not, really does make a difference. Giving someone something that you took the time to make, no matter how it turns out, is worth far more than going to a department store and spending a bunch of money on something the person probably doesn't need anyway.
If you are planning to give gifts this Christmas, consider making them this year. With so many craft and DIY websites and blogs out there these days, it is easy now to find cool projects that anyone can successfully do.
If you just don't think you can, then consider regifting brand new items that were never used. Add a few other things to give it a personal touch. Like that cute coffee mug with the snowman you got last year- get some gourmet coffee and a few truffles and put in a decorative basket for a new gift to give a different friend.
If you just simply don't have time to fuss with all of this, then PLEASE consider buying handmade items directly from artists and crafters. Know for a fact where your money is going. Know that artists really need your support right now (as do galleries). You are really making a difference by supporting the person who put their time and love into creating their art or craft, and the person who receives the gift will appreciate that you thought enough of them to buy a one of a kind gift for them.
Above all remember to GIVE YOUR TIME. Your time is the most precious gift you can give. It is important to carve out time, even when it seems impossible, to spend with the people you care about. When you are out and about, y0u can make a real difference by just being helpful. People are so stressed out right now. Just a smile, or helping someone get something off the top shelf at the grocery store, or letting an elderly person go in front of you in line can really turn things around. It can also inspire those who saw your random act of kindness to do the same.
Remember, it's NOT all about the money. It's all about being creative. Finding creative solutions to the lack of money and resources can often produce things of unimaginable beauty. Look inside yourself for your own creative gifts to give. Then watch and listen wherever you go. People need the smiles and kind gestures we can all give. Our own lives become richer when we are able to give, no matter what we are giving or to whom we give it.
Here are some websites that can help you on your crafty holiday adventures.
Craftzine Blog              
Crafty-Moms
Country Living Crafts
DIY Network Christmas How To Videos
West Coast Crafty
ecobites
The Elfster
This is only a starter list. There are thousands of sites out there. Just do a Google search for what you want to do or buy. With the exception of Craftzine and DIY, the others on the list I just happened upon with one Google search. Have fun everybody, and be sure and share what you are making!
 Sorry folks, I am keeping this one for myself! These delicate copper leaves were made by basket artist Teresa Johnston. She very generously came out to the studio and showed me how to make these leaves, and also flame patina them with a small torch. Very exciting! I made this in the wee hours of the morning. Two other designers and I stayed up all night on a Saturday night and just laughed and had a great time making pieces in a "no pressure zone", just for our own pleasure. I used to be a floral designer, and I think some of that came out in the piece. Fall is my favorite time of year. This piece encompasses so much pleasure and joy, I just can't bear to part with it...at least yet anyway. 
 Now these are some sweet designs to dream about, that's for sure. Lisa DeCanio began beading in 2003. From her very first necklace, she knew this would fast become her passion and obsession. She lies to create pieces that are big and bold, and make a statement. The inspiration for her color palette and choice of materials is based in the idea of an old treasure chest full of glorious color, richness and discovery.
I found these lovely designs on her Etsy store, Sweet Dreams Beads.
I received a comment from friend, fellow crafter, and writer, blogger, Jen of Scrapdash. Her thoughts and insight on this topic offered some different perspectives on this topic that I thought you, my readers, would find valuable. So, I am offering it as a seperate post. To see more photos of Jen's, link here to her Flickr photostream. Here is what Jen had to say in response to my previous post................................................................................................................................
                                                                                                                                                                         I can relate to the woman in your example. When I was first married, my level of satisfaction in my marriage matched and then replaced what my natural means of expression had given me since the fifth grade. I didn't write for several years. And I didn't make this connection right away because I didn't see yet how I'd been writing chiefly out of a source of pain; I just knew I'd stopped writing...and that I didn't "need" to write. And yet I did need to on a fundamental level.
Or, rather, I needed to write differently but I didn't know how. Sometime before my 30th birthday I realized I didn't like using my writing (or my marriage for that matter) as an escape pod from old hurts. It struck me as immature. Despite all my formal training, however, I didn't know how to change the attitude through which I had been regarding the world. My default setup is melancholic. When that's all you've ever known, it's a funk tough to look beyond.
And then, ironically enough, I read a favorite novel I hadn't picked up since high school. It was like my eyes had been uncrossed and I could finally see beyond myself. I could see more than despair, certainly, but I also could see more than beauty. Both sadness and happiness are made up of stark truths hidden within miasmas of emotion. For some reason at that point in my life, this favorite old story I re-read was able to help me find the solid bits and parts of happiness. And I began to write about them.
Since then I've gone through another dry spell in which my pens might be better used in a game of darts on an acoustic tile ceiling. But I've been encouraged by what Kathleen Norris, a poet, observed about prairie grass. She calls it "a perfect metaphor for the creative process." During times of drought, the grass "seems to die all the way to the roots..." Yet "it's a question of being patient and having faith that the writing process isn't dead, but rather just going through some kind of transformation" because, referring once more to the grasslands, "the minute there's moisture, it just springs green."
I appreciate your practical advice about working on your art, how it can be work and what that work can look like. I've rarely journaled formally but I jot notes on scraps of paper. I'm trying to keep my eyes open and uncrossed, to "remain," as Kathleen Norris concluded, "at least alert enough to receive what the world is trying to give" me."
October 23, 2008 5:21 AM
Thanks Jen for this insightful contribution.
This photo can be found Neshachan's Flickr photostream. It portrays sadness and depression.
Recently, I was reading a string on a craft blog basically supporting the view that in order to produce good art, one must be suffering or sad or depressed. When a person experiences loss or grief the mind fills with creative ideas and the need to express the emotional pain through art or craft. The person leading this discussion said that since she had found a wonderful man to be with her life had settled down and she was the happiest she has ever been. The problem is that now she is having trouble creating and coming up with ideas.
I think this view is an unhealthy one. To rely on drama or tragedy to provide a muse to create really is a cop out. Being an artist or crafter is something that you either are or aren't. You aren't going to create great art if you don't get in the studio and start working....on anything. That's right...anything. If you don't get in there and pick up the tools and start making something, nothing creative will have a chance to happen. Sometimes just starting will take us to places we never could have imagined. It is okay to give ourselves permission to be happy and celebrate joy in our work. We don't always have to express something dark and complicated. We don't always have to scream for the world to hear what we have to say. Happy can be just as deep as sad. Inspiration can be found in anything. 
 
This glass sculpture by Dale Chihuly can be found on his website. This sculpture portrays fun, joy, and happiness.
Sometimes what we make when we think there is no muse can be so profound. Try committing to 10 minutes of activity in the studio. Let what you make be intuitive with no intentions and no conditions. Just make something. Maybe just do an exercise. For example, say you will make something only using blues. Or, maybe make something using only one tool or one material. Do something totally in the realm of play. Take time to play, and your work will become richer and more interesting. We are so blessed to have the gift of being able to work with our hands, creating something out of nothing. Even the things we make that never get sold or given away have purpose. Every piece we make leads us to the next piece, and the next. If we avoid the studio because the idea hasn't been delivered to your front door, you are missing opportunities. The idea will probably only be delivered if you are in the studio working, ready to receive it.
515 SW Van Buren St. Topeka, Kansas 66603
Okay, this is how I discovered this fabulous place. I had decided if my exhibit and "meet and greet" at the Jewelry Box went well, I would go celebrate by having dinner at a place that had live music. Perfectly willing to drive to Lawrence or KC, I started my Google search for something fun. Great food was also a requirement, not just some dive with a house band. So as I was scrolling through various links, I found this link to a news story, a 49 News interview of Row House owner and head chef Greg Fox about Wheatstock. There is a clip of him performing really nice music that he had written himself. The key here is that he was a TOPEKAN. 49 news interview
While I sipped my wine and took in the wonderful atmosphere, I noticed the fresh flowers and original artwork. This piece is an original by Justin Marable, entitled Abandoned But Interconnected. It was hanging above my table for me to enjoy. There were two others in the small room where I was dining. But after dinner, when Shawna gave me a tour of the whole house, I discovered there were several more. Enough in fact, that I suggested that they participate in First Friday Art Walk. There were also original works by two other very talented local artists. They had much more art displayed there than many of the galleries here in town. Not only that, but a great many photos showing Topeka's rich history and the story of Row House. Even the bathrooms had photos and artwork. All properly lit and thoughtfully displayed.
Anyway, as I am taking in this first work of art, I am served a "starter", something wonderful that was a surprise, not on the menu. It was a little piece of crisp bread (cracker-like) and a lovely dollup each of a hummus and delicate cheese confection, with a little olive oil artfully framing the tasty centerpiece.
So, this is how the evening started.  Every plate that came to my table looked like a work of art, beautifully arranged to create a mouth watering aesthetic. Each course was a perfect combination of flavors and textures. I could taste every element of each of these compositions. The ingredients were so fresh. With every bite, I just couldn't believe I was experiencing food this way. Each course was special, and served at appropriate intervals so that I was neither rushed, nor ever waiting. I was ready for the next course just at the time it was brought to me. The desserts were sublime.
After I had taken in my last bite of desset and last sip of coffee. Shawna took me on the tour of the house, as I previously mentioned. It is two stories of intimate rooms, each unique and of couse full of original art. She took me in the kitchen, where I got a chance to see where the creativity happens. Even greater, Row House has its own garden. They grow their ingredients right there. I think Shawna mentioned that they (the small Row House staff) do their own planting and tending of these garden areas. I had suspected that they bought from a local grower at least. The food was so noticeably fresh, I couldn't imagine otherwise. 
At this point I must mention the attentiveness of Shawna, my server, and of all of the other staff. They all conversed with me, and checked to make sure I was thoroughly pleased and taken care of. The chef who prepared my food, Michael Colpitts, actually served me a few of the courses and also checked on me several times throughout my stay. They are a wonderful team, working hard to see that every guest has a personal experience and the very best food possible. I was truly treated like family.
I know this is a terribly long post, and I am sorry I didn't bring my camera so I could show you how beautiful each of the dishes was. But, please, please, please, go and experience this for yourself. You will be thanking me, and them for giving you the most wonderful dining experience you probably will ever have.
Here is the lovely menu from last night in their words, "Last of summer tastes meet the falling leaves time of year. The salad was inspired by a coleslaw I had recently that rocked my boat. It was tangy, creamy, fresh and delicious. The Tomato soup deserved a spot on the menu this time of year. It was the house soup at Cibo, my restaurant in Nashville. The vegetarian should prove exciting and beautiful, and both entrees are taking Cabernet sauces in different ways. The Halibut gets a Butter, Cabernet, and cream sauce, and the beef is drizzled with vinaigrette made from a Cabernet Reduction and Balsamic Vinegar. Desserts are a bit off our usual track. Figs and Cornmeal cake. Dried Cherry Biscotti dipped in Chocolate, and Butterscotch Crème Brule, topped with candied almonds. "
Greg Fox was not there last night, so I didn't get to hear the wonderful live music, but I will the next time I go. You can hear Greg Fox's music on You Tube. Here's the link.
The photos in this post belong to Greg Fox, Justin Marable, and The Row House, Topeka, KS
I can't help it. I just love this digital tool. I have plans for a productive use of the images. But for now, it's all in good fun! You can view the whole collection from the Gallery page on my website.
Today's the day. The Library is the place. 10:00am-12:00 pm OR 1:00pm- 3:00 pm.
I will be talking about art and craft, being in the trenches of my first year of business, what inspires my work, and what I have learned on the journey. Those who attend will receive a packet with a list of library books, websites and blogs, and information about art events around town. The presentation will be freeform, and people may ask questions as we go. We will have a great time. Come and join me!
Jellyfish picture can be found on www.funny-potato.com